THE BERMUDA AVENUE TRIANGLE by Joseph Bologna and Renee Taylor
This outrageous comedy by the authors of Lovers and Other Strangers and other uproarious hits starred Nanette Fabray and the authors on Broadway. It concerns the adventures of a Jewish widow and an Irish widow whose successful daughters move them to Las Vegas, where they share a retirement village condo. On an excursion, they are saved from a mugger by a charming if-not-quite sober gambler who is short on cash. They allow him to curl up on the living room floor and he manages to sweet-talk his way into both ladies' beds. Each situation is rife with the outrageous, excessive comedy that endears these playwrights to audiences everywhere.
AGATHA CHRISTIE'S MURDER ON THE ORIENT EXPRESS adapted by Ken Ludwig
Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, the passengers rely on detective Hercule Poirot to identify the murderer – in case he or she decides to strike again.
OLIVER! book, music and lyrics by Lionel Bart
Consider yourself at home with Lionel Bart's classic musical based on the Charles Dickens novel, Oliver Twist. The Tony and Olivier Award-winning show is one of the few musicals to win an Academy Award for Best Picture and is widely hailed as a true theatrical masterpiece by actors and audience members alike.
The streets of Victorian England come to life as Oliver, a malnourished orphan in a workhouse becomes the neglected apprentice of an undertaker. Oliver escapes to London and finds acceptance amongst a group of petty thieves and pickpockets led by the elderly Fagin. When Oliver is captured for a theft that he did not commit, the benevolent victim, Mr. Brownlow takes him in. Fearing the safety of his hideout, Fagin employs the sinister Bill Sikes and the sympathetic Nancy to kidnap him back, threatening Oliver’s chances of discovering the true love of a family.
PETER AND THE STARCATCHER a play by Rick Elice, music by Wayne Barker
A young orphan and his mates are shipped off from Victorian England to a distant island ruled by the evil King Zarboff. They know nothing of the mysterious trunk in the captain’s cabin, which contains a precious, otherworldly cargo. At sea, the boys are discovered by a precocious young girl named Molly, a Starcatcher-in-training who realizes that the trunk’s precious cargo is starstuff, a celestial substance so powerful that it must never fall into the wrong hands. When the ship is taken over by pirates – led by the fearsome Black Stache, a villain determined to claim the trunk and its treasure for his own – the journey quickly becomes a thrilling adventure.
Tony-winning Peter and the Starcatcher upends the century-old story of how a miserable orphan comes to be The Boy Who Would Not Grow Up (a.k.a. Peter Pan). A wildly theatrical adaptation of Dave Barry and Ridley Pearson’s best-selling novels, the play was conceived for the stage by directors, Roger Rees and Alex Timbers, and written by Rick Elice, with music by Wayne Barker. From marauding pirates and jungle tyrants to unwilling comrades and unlikely heroes, Peter and the Starcatcher playfully explores the depths of greed and despair... and the bonds of friendship, duty, and love.
THE TRIAL OF EBENEZER SCROOGE by Mark Brown
The Trial of the Century! A year after his miraculous transformation, Ebenezer Scrooge is back to his old ways and is suing Jacob Marley and the Ghosts of Christmas Past, Present, and Future for breaking and entering, kidnapping, slander, pain and suffering, attempted murder, and the intentional infliction of emotional distress. The ghosts employ Solomon Rothschild, England's most charismatic, savvy, and clever barrister. Scrooge, that old penny pincher, represents himself. One by one, Bob Cratchit, Scrooge's nephew Fred, solicitor and philanthropist Sara Anne Wainwright, and the ghosts themselves take the witness stand to give their account of the night in question.